» » Prodigy - The Fat Of The Land

Download Prodigy - The Fat Of The Land FLAC

Tracklist

1Diesel Power
Vocals – Kool KeithWritten-By – K. Thornton, L. Howlett
4:18
2Climbatize
Written-By – L. Howlett
6:38
3Smack My Bitch Up
Vocals [Additional] – Shahin BadaWritten-By – C. Miller, K. Thornton, L. Howlett, M. Smith, T. Randolph
5:43
4Funky Shit
Written-By – L. Howlett
5:16
5Fuel My Fire
Guitar – Jim DaviesVocals – Keith FlintVocals [Additional] – SaffronWritten-By – Walsh, D.J. Sparks, James, Knight
4:19
6Breathe
Guitar – Jim DaviesVocals – Keith Flint, MaximWritten-By – Keith Flint, L. Howlett, Maxim
5:35
7Serial Thrilla
Vocals – Keith FlintWritten-By – K. Flint, Arran, L. Howlett, Skin
5:11
8Firestarter
Guitar – Jim DaviesVocals – Keith FlintWritten-By – A. Dudley, G. Lanagan, J. Jeczalik, K. Flint, L. Howlett, P. Morley, T. Horn
4:40
9Mindfields
Vocals – MaximWritten-By – L. Howlett
5:40
10Narayan
Vocals – Crispian MillsWritten-By – C. Mills, L. Howlett
9:06

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
XLLP 121Prodigy The Fat Of The Land ‎(2xLP, Album)XL RecordingsXLLP 121UK1997
UDP-C 77211Prodigy The Fat Of The Land ‎(Cass, Album)UDPUDP-C 77211Italy1997
noneProdigy The Fat Of The Land ‎(Cass, Album, Unofficial)Not On Label (The Prodigy)noneUnknown
VR-0084Prodigy The Fat Of The Land ‎(Cass, Album, Unofficial)Not On Label (The Prodigy)VR-0084Unknown
6062-2Prodigy The Fat Of The Land ‎(CD, Album)Sum Records , Paradoxx Music6062-2Mexico1997

Credits

  • Art DirectionAlex Jenkins, Liam Howlett
  • DesignAlex Jenkins
  • Photography By [Ant]Terry Whittaker
  • Photography By [Band, Train And Equipment]Pat Pope
  • Photography By [Front Cover]Konrad Wothe, Silvestris
  • Photography By [Inside Traycard]Lou Smith
  • Photography By [Live Shots]Alex Scaglia, Christian Ammann, Pat Pope
  • Photography By [Truck And Background]Alex Jenkins
  • Producer, Mixed ByL. Howlett
  • Recorded By [Vocals]Neil McLellan (tracks: 1, 2, 7, 8)
  • Art DirectionLiam Howlett
  • Art Direction, DesignAlex Jenkins
  • Artwork By [Band Illustration] – Jake
  • Photography [Ant] – Terry Whittaker
  • Photography [Band, Train, Equipment, Live Shots] – Pat Pope
  • Photography [Front Cover] – Konrad Wothe, Silvestris
  • Photography [Inside Traycard] – Lou Smith
  • Photography [Live Shots] – Alex Scaglia, Christian Ammann
  • Photography [Truck, Background] – Alex Jenkins
  • Producer, Mixed ByL. Howlett
  • Written-ByL. Howlett (tracks: 1 to 9)
  • Art DirectionAlex Jenkins, Liam Howlett
  • DesignAlex Jenkins
  • Illustration [Band]Jake
  • Management [For Midi Management]Mike Champion
  • Mastered ByMike's
  • Photography By [Ant]Terry Whittaker
  • Photography By [Band And Train]Pat Pope
  • Photography By [Front Cover - Silvestris/Courtesy Of FLPA-Images Of Nature]Konrad Wothe
  • Photography By [Inner Bag Band Shot]Lou Smith
  • Photography By [Live Shots]Alex Scaglia, Christian Ammann, Pat Pope
  • Photography By [Truck And Background]Alex Jenkins
  • Producer, Mixed ByL. Howlett

Notes

℗ XL-Recordings Ltd. 1997 © XL-Recordings Ltd. 1997

Produced & mixed at Earthbound.
Vocals on 1, 2, 7 and 8 recorded at Strongroom.

"Fuel My Fire" originally performed by L7.

Sample Information:
1. Contains parts of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Beatdown" used courtesy of Next Plateau Records.
4. Excerpts from "Root Down" used under license from Capitol Records. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under license from Universal Music Special Markets Inc. Published by EMI Gold Horizon Music.
5. "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
8. Sample of The Breeders "SOS" courtesy of 4AD Elektra (by arrangement by Warner Special Products). "Close To The Edit" by The Art Of Noise under licence from ZTT Records Ltd.
9. Contains portion of "Horn Track" by Egyptian Empire / Tim Taylor courtesy of London Records and published by Northcott Music administered by International Music Network.

ISRC:
Track# 01: GB-BKS-97-00073
Track# 02: GB-BKS-97-00074
Track# 03: GB-BKS-97-00075
Track# 04: GB-BKS-97-00076
Track# 05: GB-BKS-97-00077
Track# 06: GB-BKS-97-00078
Track# 07: GB-BKS-97-00079
Track# 08: GB-BKS-97-00080
Track# 09: GB-BKS-97-00081
Track# 10: GB-BKS-97-00082

This is an original release with CDP UK Ltd. matrix.

Original release with Nimbus matrix can be found here.
Original release with PMDC matrix can be found here.
Reissued release with Sonopress matrix can be found here.
Reissued release with Arvato Digital Services matrix can be found here.Packaging in a jewel case with a 16-page booklet.

℗ © XL-Recordings 1997
Произведено в 2004 году по заказу Концерна "Группа СОЮЗ" по лицензии BEGGARS GROUP.
(Translation: "Made in 2004 under the order of concern "Soyuz Group" under license from Beggars Group.")
For sale in Russia and CIS countries only.

"We have no butter, but I ask you
Would you rather have butter or guns?
Shall we import lard or steel? Let me tell you
Preparedness makes us powerful.
Butter merely makes us fat."

All tracks produced & mixed at Earthbound.
Vocals on 1, 2, 7 and 8 recorded at Strongroom.

Track 1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Breakdown" used courtesy of Next Plateau Records.
Track 4 excepts from "Root Down" used under license from Capitol Records, a division of Capitol Records Inc. Sample "2-3 Break" by the B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan. Used courtesy of MCA Records, Inc. under licence from Universal Music Special Markets Inc. Published by EMI Gold Horizon Music.
Track 5 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
Track 8 sample of Breeders "SOS" courtesy of 4AD / Elektra (by arrangement woth Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd. Track 9 contains portion of "Horn Track" by Egyptian Empire / Tim Taylor courtesy of London Records and published by Northcott Music administered by International Music Network.A1 published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL Recordings Ltd.
A2 published by EMI Virgin Music Ltd/EMI Music Ltd/MCA Music. ℗ 1996 XL Recordings Ltd.
B1 published by EMI Virgin Music Ltd/Momentum Music Ltd. ℗ 1997 XL Recordings Ltd.
B2 published by EMI Virgin Music Ltd/Polygram Music. ℗ 1997 XL Recordings Ltd.
C1 published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL Recordings Ltd.
C2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd.
C3 published by EMI Virgin Music Ltd/Hit And Run Publishing Ltd. Crispian Mills appears courtesy of of Columbia Records Ltd. ℗ 1997 XL Recordings Ltd.
D1 published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL Recordings Ltd.
D2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd.
D3 published in the USA: By Drop Trou Tunes. Administered by Zomba Songs Inc. (BMI)/Shock Music Publishing Australia. Rest of the world: By Zomba Music Publishers Ltd/Shock Music Publishing Australia. ℗ 1997 XL Recordings Ltd. Saffron appears courtesy of Deconstruction/BMG Entertainment International UK and Ireland Ltd.

Produced & mixed at Earthbound.
Vocals on A1, A2, C3 and D1 recorded at Strongroom.

A1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Beatdown" used courtesy of Next Plateau Records.
B2 excerpts from "Root Down" used under license from Capitol Records. A division of Capitol Records Inc. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under license from Universal Music Special Markets Inc.. Published by EMI Gold Horizon Music.
C1 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
D1 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
D2 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music administered by International Music Network.

This Album: ℗ XL Recordings Ltd 1997 © XL Recordings Ltd 1997.
Made in England.

"Fuel My Fire" originally performed by L7.

Barcodes

  • Barcode: 4601250324494
  • Matrix / Runout: xlcd 121 BEGGARS GROUP / Концерн "Группа СОЮЗ"
  • Mould SID Code: IFPI KG02
  • Mastering SID Code (Other Version): IFPI LW80
  • Mould SID Code (Other Version): IFPI ZK-16
  • Barcode (Text): 6 34904 01212 0
  • Barcode (String): 634904012120
  • Matrix / Runout: CDP UK LTD XLCD 121 GMA1
  • Mastering SID Code: IFPI LB01
  • Mould SID Code (Variant 1): IFPI 1L07
  • Mould SID Code (Variant 2): IFPI 1L12
  • ASIN: B000006TNS
  • Barcode (Text): 6 34904 01211 3
  • Barcode (String): 634904012113
  • Matrix / Runout (Side A): XLLP 121 A¹ DAMONT I Y MIKE'S - THE EXCHANGE
  • Matrix / Runout (Side B): XLLP 121 B¹ DAMONT MIKE'S - THE EXCHANGE P
  • Matrix / Runout (Side C): XLLP 121 C¹ MIKE'S - THE EXCHANGE - DAMONT Q
  • Matrix / Runout (Side D): XLLP 121 D¹ I DAMONT MIKE'S - THE EXCHANGE R

Companies

  • Phonographic Copyright (p) – XL Recordings
  • Copyright (c) – XL Recordings
  • Licensed From – Beggars Group
  • Manufactured For – Концерн «Группа Союз»
  • Pressed By – ООО "Ди Ви Ди-Клуб"
  • Phonographic Copyright (p) – XL Recordings Ltd.
  • Copyright (c) – XL Recordings Ltd.
  • Produced At – Earthbound Studios
  • Mixed At – Earthbound Studios
  • Mixed At – Strongroom
  • Glass Mastered At – CDP UK Ltd.
  • Published By – Virgin Music Ltd.
  • Published By – Next Plateau Music Inc.
  • Published By – Beats G Music
  • Published By – EMI Music Ltd.
  • Published By – MCA Music
  • Published By – Momentum Music Ltd.
  • Published By – PolyGram Music
  • Published By – Chrysalis Music Publishing
  • Published By – Hit & Run Music (Publishing) Ltd.
  • Published By – Zomba Music
  • Published By – Drop Trou Tunes
  • Published By – Shock Music Publishing Pty. Ltd.
  • Published By – Zomba Music Publishers Ltd.
  • Produced At – Earthbound Studios
  • Mixed At – Earthbound Studios
  • Recorded At – Strongroom
  • Phonographic Copyright (p) – XL Recordings Ltd.
  • Copyright (c) – XL Recordings Ltd.
  • Mastered At – The Exchange
  • Pressed By – Damont

Video

Info

Rating: B Entertainment Weekly 07111997. Prodigy leader and beat master Liam Howlett has made THE FAT OF THE LAND harder, more subterranean, more diverse, and more vocal-oriented than previous Prodigy is dance music not about release but aggression, making it ideal party music for the end of the century. Album 1997 10 Songs. Liam Howlett, Michael Diamond, Adam Hotovitz, Adam Yauch. Included in Rolling Stone's Essential Recordings of the 90's. The Fat of the Land is an album by The Prodigy. Few albums were as eagerly anticipated as The Fat of the Land, the Prodigy's long-awaited follow-up to Music for the Jilted Generation. Страна: США. Before the turn of the millennium, a multiracial trio of British ravers topped the American charts with Smack My Bitch Up, a smash that, depending on your point of view, was either revolting or revolutionary. The album read more. The Fat of the Land - The Prodigy. Mindfields later appeared on the soundtrack of the film The Matrix, read more. Язык: Русский. By the time of its release, the group had two number one British singles with Firestarter and Breathe and had begun to make inroads in America. Fat Of The Land. Few albums were as eagerly anticipated as The Fat of the Land, the Prodigy's long-awaited follow-up to Music for the Jilted Generation. The album was released by XL Recordings on June 30, 1997 and on July 1, 1997 in the USA. The video for the first. The album received critical acclaim and topped the UK Albums Chart and the US Billboard 200. Electronic 1997. Liam Howlett, Keith Flint, Maxim. Rolling Stone 05131999. LatinAutor, BMG Rights Management US, LLC, Kobalt Music Publishing и другие авторские общества 15. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. It was one part scatological genius Kool Keith of the legendary Ultramagnetic MCs one part beloved SP-1200 sampler one part Rage Against the Machine. Формируйте собственную коллекцию записей May 1997. It was first released on 30 June 1997 by XL Recordings in the United Kingdom and on 1 July 1997 by Maverick Records in the United States. Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. The Prodigy : The Fat of the Land,альбом, рецезия, трек-лист, mp3, тексты песен. LIEVEMAA Prodigy: The fat of the land. The Prodigy. It has sold over 10 million copies worldwide as of 2019. The Fat of the Land is the third studio album by English electronic music group The Prodigy. Today we revisit the Prodigys testosterone-fuelled U. Prodigy : The Fat of the Land,альбом, рецезия, трек-лист, mp3, тексты песен. invasion with 1997s The Fat Of the Land. The album caused some controversy in Britain

Download Prodigy - The Fat Of The Land FLAC

Performer: Prodigy

Title: The Fat Of The Land

Country: UK

Release date: 30 Jun 1997

Label: XL Recordings

Style: Breakbeat, Big Beat

Catalog: XLCD 121

Genre: Electronic / Hip hop

Size MP3: 2643 mb

Size FLAC: 2681 mb

Rating: 4.3 / 5

Votes: 211

Record source: CD, Album

FLAC Music Related to Prodigy - The Fat Of The Land

Uylo
Is there any way to tell the difference between the original UK 1997 release and this 2012 just by the front/back cover? I was sold a sealed original but want to know if it really is. Want to know the difference without opening the original. Can anyone help? RIP Keith FlintEDIT. I have just realised that the original has the name along the spine and the 2012 is completely blank.
Uylo
Is there any way to tell the difference between the original UK 1997 release and this 2012 just by the front/back cover? I was sold a sealed original but want to know if it really is. Want to know the difference without opening the original. Can anyone help? RIP Keith FlintEDIT. I have just realised that the original has the name along the spine and the 2012 is completely blank.
happy light
Amazon shipped me a 2LP that has nothing on the spine (black completely) and all the copyright info is from 1997.Are these unofficial reprints??
happy light
Amazon shipped me a 2LP that has nothing on the spine (black completely) and all the copyright info is from 1997.Are these unofficial reprints??
Nenayally
jakisa If there is only one crab on the cover, it should be the original release. On the 2012 release, there are multiple crabs. For the CD this is correct but I’m on about the vinyl
Nenayally
jakisa If there is only one crab on the cover, it should be the original release. On the 2012 release, there are multiple crabs. For the CD this is correct but I’m on about the vinyl
Arlelond
Absolutely identical pressing. There is no way to know for sure if it's original 1997 pressing or this specific one. Except collector's value it shouldn't matter to you because this one sounds absolutely amazing.RIP Keith Flint
Arlelond
Absolutely identical pressing. There is no way to know for sure if it's original 1997 pressing or this specific one. Except collector's value it shouldn't matter to you because this one sounds absolutely amazing.RIP Keith Flint
Levion
If there is only one crab on the cover, it should be the original release. On the 2012 release, there are multiple crabs.
Levion
If there is only one crab on the cover, it should be the original release. On the 2012 release, there are multiple crabs.
Elizabeth
This is without any doubt one of the best sounding vinyl releases I have heard in my life. The sound is just PERFECT on this release. This sounds so much better than the CD. The Music for the Jilted Generation vinyl release sounds great, too, but this album is 22 minutes shorter than Music for the Jilted Generation so there is much more space for each song on each side and you can really hear it !!! If anyone thinks CD is better than vinyl then he must listen to this release !!! You can get this release almost anywhere and it is so easy to find. Buy it. Buy it. Buy it. I love electronic music and this album has not lost any of its freshness ever since it was released twenty years ago.
Elizabeth
This is without any doubt one of the best sounding vinyl releases I have heard in my life. The sound is just PERFECT on this release. This sounds so much better than the CD. The Music for the Jilted Generation vinyl release sounds great, too, but this album is 22 minutes shorter than Music for the Jilted Generation so there is much more space for each song on each side and you can really hear it !!! If anyone thinks CD is better than vinyl then he must listen to this release !!! You can get this release almost anywhere and it is so easy to find. Buy it. Buy it. Buy it. I love electronic music and this album has not lost any of its freshness ever since it was released twenty years ago.
Mave
Can confirm-- not all vinyl sounds different from digital, but this release is just dramatically better and is definitely a Must Buy!
Mave
Can confirm-- not all vinyl sounds different from digital, but this release is just dramatically better and is definitely a Must Buy!
Delaath
No idea what pressing I've just picked up advertised as an original pressing, mine has (Side D): XLLP 121 D¹ I DAMONT MIKE'S - THE EXCHANGE 3 !! Sounds great though, timeless album.
Delaath
No idea what pressing I've just picked up advertised as an original pressing, mine has (Side D): XLLP 121 D¹ I DAMONT MIKE'S - THE EXCHANGE 3 !! Sounds great though, timeless album.
roternow
Yeah, great pressing. Absolutely no surface noise at all .
roternow
Yeah, great pressing. Absolutely no surface noise at all .
Iaiastta
How can one tell the difference between this 2012 repress from the original 1997 press (http://www.discogs.com/Prodigy-The-Fat-Of-The-Land/release/26194)? According to the Discogs pages, these 2 presses have identical barcodes and matrix runouts??? Anyone know how to distinguish between the two pressings?
Iaiastta
How can one tell the difference between this 2012 repress from the original 1997 press (http://www.discogs.com/Prodigy-The-Fat-Of-The-Land/release/26194)? According to the Discogs pages, these 2 presses have identical barcodes and matrix runouts??? Anyone know how to distinguish between the two pressings?
Bladebringer
We need to be sure about that Matrix. It should be the same than the US repress :Matrix / Runout (Side A): XLLP 121 B666911-01 A1 MKMatrix / Runout (Side B): XLLP 121 B666911-01 B1 MKMatrix / Runout (Side C): XLLP 121 B666911-02 C1 MKMatrix / Runout (Side D): XLLP 121 B666911-02 D1 MK
Bladebringer
We need to be sure about that Matrix. It should be the same than the US repress :Matrix / Runout (Side A): XLLP 121 B666911-01 A1 MKMatrix / Runout (Side B): XLLP 121 B666911-01 B1 MKMatrix / Runout (Side C): XLLP 121 B666911-02 C1 MKMatrix / Runout (Side D): XLLP 121 B666911-02 D1 MK
Fato
Very nice and good sounding repress !
Fato
Very nice and good sounding repress !