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Tracklist

1Feel What I Feel
Mixed By – K. HandVocals – Debbie Welch
4:32
2Yes I Am (I'm Gonna Get You)
Producer – Kenny Dixon Jr.Vocals – Sharon Jones
4:56
3You Belong To Me (I'm The Baddest Bitch Remix)
Co-producer – Kenny Dixon Jr.
4:36
4One Of Those Nites
Keyboards – Armon DavisMixed By – Kenny Dixon Jr.
7:56
5Your Perfect3:03
6Nobody
Drum Programming – K. HandProducer – Kenny Dixon Jr.
4:21
7Dreams
Mixed By – Kenny Dixon Jr.
7:18
8Late Night Show
Mixed By – Theo Parrish
6:34

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
PFG015CDNorma Jean Bell Come Into My Room ‎(CD, Album)Peacefrog RecordsPFG015CDUK2001

Credits

  • Vocals, Saxophone [Alto, Soprano], Keyboards, Drum ProgrammingNorma Jean Bell

Notes

Licensed from Pandamonium Records.

I give Thanks to God for whom all things are possible! Much love and Thanks to my friend Kenny Dixon Jr!

Track durations and BPM are not provided on the record.
BPM:
A1: 120 | A2: 120
B1: 120 | B2: 117
C1: 120 | C2: 121
D1: 120 | D2: 113

Barcodes

  • Barcode: 5050294110515
  • Matrix / Runout (A): Grazz The Exchange

Video

Info

The ten housequakes on Come into My Room, a CD compilation released by the Peacefrog label in late 2001, dip into a mere fraction of the imprint's output, including NJB's scattered productions for France's F Communications and some previously unreleased material as well. These tracks - collaboratively served up with handiwork from Theo Parrish, K Hand, and primarily Kenny Dixon, Jr. are shoehorned into a palatable digest full of steam, sweat, and libidinal abandon. One really feels that one is entering into a new and discrete musical space through listening to the album. The album, produced and mixed in the main by MoodymannKDJ clearly sounds like some of his productions, but hey, if the music is going to have a lack of originality then I don't mind if it's KDJ's fault . No copyright intended, embedding has been disabled, and no problems should result. Disclaimer: I do not produceown any material relating to the music Jean Bell: Come into my room After the world wide phenomenon that was I'm the Baddest Bitch on France's F Communications, Norma Jean Bell again teams up with fellow Detroit legend and long-time production associate Kenny Dixon Jr. Moodymann to produce a much anticipated album. Full of rich lyrics Come Into My Room oozes that deep Detroit housesoul that we all love. The remix of I'm the Baddest Bitch starts the album off with a lovely jazzy walking bass line and brings a new light onto this classic. As the tracks progress we find a more substantial deep house vibe, with. Come Into My Room. Critic Score. Based on 1 review. User Score. Based on 1 rating. New Album Releases. The 1975. Notes on a Conditional Form. Carly Rae Jepsen. Dedicated Side B. Listen free to Norma Jean Bell Come Into My Room You Belong to Me I'm The Baddest Bitch Remix, One of Those Nites and more. 10 tracks 54:58. Play album. Get album. Artist images. Norma Jean Bell. 9,549 listeners. Discover all of this album's music connections, watch videos, listen to music, discuss and Into My Room. Norma Jean Bell Format: Audio CD. Norma Jean Bell's saxophone is featured on many of these cuts. Her skills range from R &B honks through standards to avante-garde. Although best known as a DC Club music pioneer, she should be seen as a master musician. 2001 - Come Into My Room01. You Belong To Me I'm The Baddest Bitch Remix. flac - . 2001 - Come Into My Room08. Your - . 2001 - Come Into My RoomCome Into My - . 2001 - Come Into My RoomScans - . 2001 - Come Into My Room - . Listen to Norma Jean Bell Radio featuring songs from Come Into My Room free online. Слушать бесплатное интернет-радио, спорт, музыку, новости, разговорное и подкасты. События в прямом эфире, трансляции игр NFL, MLB, NBA, NHL, университетских команд и матчи Премьер-лиги. CNN, MSNBC, Fox News, ESPN, BBC, NPR

Download Norma Jean Bell - Come Into My Room FLAC

Performer: Norma Jean Bell

Title: Come Into My Room

Country: UK

Release date: 2001

Label: Peacefrog Records

Style: Deep House

Catalog: PFG015LP

Genre: Electronic

Size MP3: 1841 mb

Size FLAC: 2947 mb

Rating: 4.1 / 5

Votes: 830

Record source: 2 × Vinyl, LP

FLAC Music Related to Norma Jean Bell - Come Into My Room

Sagda
Note the videos attached to this must be taken from the CD ... the vinyl version doesn't have all the skits, samples, radio scans etc between the tracks. Also I might be wrong here cos i haven't listened to it in ages but I don't think the vinyl version of Nobody has the sax on it.
Sagda
Note the videos attached to this must be taken from the CD ... the vinyl version doesn't have all the skits, samples, radio scans etc between the tracks. Also I might be wrong here cos i haven't listened to it in ages but I don't think the vinyl version of Nobody has the sax on it.
Sadaron above the Gods
Could be nice with some repressing on this beauty!!! wehuu
Sadaron above the Gods
Could be nice with some repressing on this beauty!!! wehuu
Arlana
Yeah still sounds as good today as upon release.All tracks dancefloor friendly-particular noteworthy the TP track worth the purchase price alone.
Arlana
Yeah still sounds as good today as upon release.All tracks dancefloor friendly-particular noteworthy the TP track worth the purchase price alone.
Urreur
Oooooooh yeah. This album is a very tasty slice of late night deep house music outta the D. The title, "Come into my room," really starts to make sense the more you listen to the album.
The phrase itself has obvious sexual connotations, and this is embodied in the music itself, being sooooo sensual and very, very sexual. The other metaphor of the title is embodied in the unique character of the music. Norma Jean is not asking the listener to come into any old room, any interpretation of house, but into her room, her interpretation of house. One really feels that one is entering into a new and discrete musical space through listening to the album.
The album, produced and mixed in the main by Moodymann/KDJ clearly sounds like some of his productions, but hey, if the music is going to have a lack of originality then I don't mind if it's KDJ's fault!
As for favorites on the album there are many: the first track, "You belong to me," is very silky, slowly carressing the ears with sensuous musical texture; "One of those nights" is in a similar vein but with a more jacking beat and a nice bridgy breakdown with the classic KDJ vocal skit and party sounds, and the title reflects the pairs preoccupation with long hot sexy nights! The Theo Parrish production on the album, "Late night show," is perhaps the only dissapointment on the album, not because the quality of the music is poor, but more because one expects nothing less than greatness from the man from Sound Signature, and this is sadly not what we are here delivered.
Urreur
Oooooooh yeah. This album is a very tasty slice of late night deep house music outta the D. The title, "Come into my room," really starts to make sense the more you listen to the album.
The phrase itself has obvious sexual connotations, and this is embodied in the music itself, being sooooo sensual and very, very sexual. The other metaphor of the title is embodied in the unique character of the music. Norma Jean is not asking the listener to come into any old room, any interpretation of house, but into her room, her interpretation of house. One really feels that one is entering into a new and discrete musical space through listening to the album.
The album, produced and mixed in the main by Moodymann/KDJ clearly sounds like some of his productions, but hey, if the music is going to have a lack of originality then I don't mind if it's KDJ's fault!
As for favorites on the album there are many: the first track, "You belong to me," is very silky, slowly carressing the ears with sensuous musical texture; "One of those nights" is in a similar vein but with a more jacking beat and a nice bridgy breakdown with the classic KDJ vocal skit and party sounds, and the title reflects the pairs preoccupation with long hot sexy nights! The Theo Parrish production on the album, "Late night show," is perhaps the only dissapointment on the album, not because the quality of the music is poor, but more because one expects nothing less than greatness from the man from Sound Signature, and this is sadly not what we are here delivered.