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Tracklist

1Star2:47
2Hang On To Yourself2:40
3Soul Love3:34
4Ziggy Stardust3:13
5Starman4:13
6Lady Stardust3:18
7Suffragette City3:25
8Five Years4:42
9Moonage Daydream4:40
10It Ain't Easy2:58
11Rock 'N' Roll Suicide2:58

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
SF 8287, LSP 4702, LSP-4702David Bowie The Rise And Fall Of Ziggy Stardust And The Spiders From Mars ‎(LP, Album)RCA Victor, RCA Victor, RCA VictorSF 8287, LSP 4702, LSP-4702UK1972
CDP 79 4400 5David Bowie The Rise And Fall Of Ziggy Stardust And The Spiders From Mars ‎(DCC, Album)EMICDP 79 4400 5UK & Europe1993
PK 1932David Bowie The Rise And Fall Of Ziggy Stardust And The Spiders From Mars ‎(Cass, Album, Ora)RCAPK 1932UK1972
EMC 3577David Bowie The Rise And Fall Of Ziggy Stardust And The Spiders From Mars ‎(LP, Album, RE, Gat)EMIEMC 3577UK & Europe1990
219000-PRL2David Bowie The Rise And Fall Of Ziggy Stardust And The Spiders From Mars ‎(CD, Album, Enh, RE, RM)Parlophone219000-PRL2US2014

Credits

  • Arranged ByDavid Bowie, Mick Ronson
  • ArtworkTerry Pastor
  • BassTrevor Bolder
  • DrumsMick Woodmansey
  • Guitar, Piano, VocalsMick Ronson
  • Guitar, Saxophone, VocalsDavid Bowie
  • Photography ByBrian Ward
  • ProducerDavid Bowie, Ken Scott
  • Written-ByDavid Bowie (tracks: A1 to A4, B1 to B6)
  • Arranged ByDavid Bowie, Mick Ronson
  • Artwork [Original Front & Back Cover Artwork]Terry Pastor
  • Artwork, LayoutDrew Lorimer
  • BassTrevor Bolder (tracks: 1-1 to 1-11, 2-5 to 2-12)
  • Coordinator [Project Co-ordination]Henry Wrenn-Meleck, Nigel Reeve
  • Cover [Original Front & Back Cover Artwork]Terry Pastor
  • Cover [Original Front & Back Cover Photography]Brian Ward
  • Design [Re-package Design]Drew Lorimer, Kevin Cann
  • DrumsMick Woodmansey (tracks: 1-1 to 1-11, 2-5 to 2-12)
  • GuitarDavid Bowie (tracks: 1-1 to 2-2, 2-5 to 2-12), Mick Ronson (tracks: 1-1 to 1-11, 2-5 to 2-12)
  • Liner Notes [Essay]David Buckley
  • Liner Notes [Ziggy Chronology]Kevin Cann
  • MellotronMick Ronson (tracks: 1-1 to 1-11, 2-6 to 2-12)
  • Photography By [Booklet Photos]Brian Ward , Sukita, Mick Rock
  • Photography By [Original Front & Back Cover Photography]Brian Ward
  • PianoMick Ronson (tracks: 1-1 to 1-11, 2-6 to 2-12)
  • ProducerDavid Bowie (tracks: 1-1 to 1-11), Ken Scott (tracks: 1-1 to 1-11, 2-3 to 2-12)
  • Remastered By [Digitally Remastered]Nigel Reeve, Peter Mew
  • SaxophoneDavid Bowie (tracks: 1-1 to 1-11, 2-5 to 2-12)
  • VocalsDavid Bowie
  • Written-ByChuck Berry (tracks: 2-10), David Bowie (tracks: 1-1 to 1-4, 1-6 to 2-7, 2-9, 2-11, 2-12), Jacques Brel (tracks: 2-8), Mort Shuman (tracks: 2-8), Ron Davies (tracks: 1-5)
  • Arranged ByDavid Bowie, Mick Ronson
  • ArtworkTerry Pastor
  • BassTrevor Bolder
  • DrumsMick Woodmansey
  • Guitar, Piano, VocalsMick Ronson
  • Guitar, Saxophone, VocalsDavid Bowie
  • Photography ByBrian Ward
  • ProducerDavid Bowie, Ken Scott
  • Written-ByDavid Bowie
  • Arranged By [Arrangements]David Bowie, Mick Ronson
  • ArtworkTerry Pastor
  • BassTrevor Bolder
  • DrumsMick Woodmansey
  • Guitar, Piano, VocalsMick Ronson
  • Photography By [Photographs]Brian Ward
  • ProducerDavid Bowie, Ken Scott
  • Saxophone [Sax], Guitar, VocalsDavid Bowie
  • Written-ByBowie (tracks: A1 to A4, B1 to B6), Ron Davies (tracks: A5)
  • Arranged By [Arrangements]David Bowie, Mick Ronson
  • Artwork [Art Work]Main Artery
  • Artwork [Original Front And Back Cover Artwork By]Terry Pastor
  • Artwork [Uncredited], Layout [Uncredited]The Design League
  • Backing Band [Uncredited]Spiders From Mars
  • Backing Vocals [Uncredited]Dana Gillespie (tracks: A5)
  • Coordinator [Project Co-Ordinated By, Uncredited]Kevin Cann, Nigel Reeve
  • Design [Re-Package Designed By, Uncredited]Kevin Cann
  • Musician [The Musicians Are], BassTrevor Bolder
  • Musician [The Musicians Are], DrumsMick Woodmansey
  • Musician [The Musicians Are], Guitar, Piano, VocalsMick Ronson
  • Musician [The Musicians Are], Guitar, Saxophone, VocalsDavid Bowie
  • Other [Special Thanks To (@ Bowienet), Uncredited] – Mark Adams
  • Other [Special Thanks To (@ Isolar Enterprises, Inc.), Uncredited] – Eileen d'Arcy
  • Other [Special Thanks To (@ RZO Music, Inc.), Uncredited] – Bill Zysblat, Christina Degaitis, Henry Wrenn-Meleck
  • Other [Special Thanks To (@ The Outside Organisation), Uncredited] – Alan Edwards
  • Photography By [Booklet Photos By, Uncredited]Mick Rock
  • Photography By [Booklet Photos By]Brian Ward
  • Photography By [Original Front And Back Cover Photography By]Brian Ward
  • Producer [Album Production]David Bowie, Ken Scott
  • Remastered By [Uncredited]Ray Staff
  • Written-ByDavid Bowie (tracks: A1 to A4, B1 to B6), Ron Davies (tracks: A5)
  • ArtworkTerry Pastor
  • BassTrevor Bolder
  • DrumsMick Woodmansey
  • Guitar, Piano, VocalsMick Ronson
  • Lead Vocals, Guitar, Saxophone, Arranged By, ProducerDavid Bowie
  • PianoDavid Bowie (tracks: B7, B8)
  • ProducerKen Scott

Notes

Repress of LP in the 40th anniversary package: The Rise And Fall Of Ziggy Stardust And The Spiders From Mars which is remastered from analog.
LP in a poly lined inner sleeve. Package also includes replica inner picture / lyric sleeve.

Made in the EU.2 panel inlay printed both sides. Black and white portrait of David Bowie on reverse. Cover has red RCA band across top with "Stereo" to the right (no MM). Grey cassette with orange "RCA" paper labels. "KOREA" moulded into top right hand side of cassette shell both sides.

Very similar to other orange paper label versions except for the made in Korea mark on the cassette.

On inlay:
"This STEREO tape gives monaural reproduction when played on monaural equipment. This tape is mastered to Dolby "B" standards for noise reduction. Decrease treble response when playing on non Dolbyised equipment."

"DAVID BOWIE
A Gem Production"

"RCA Limited, Record Division England"℗ 1972 RCA Records.
A Gem Production.

Center labels:
Made by RCA Schallplatten GmbH, Hamburg, Germany,
from Masters Owned or Controlled by RCA Records.

Printed in Germany.
To be played at maximum volume.

Gatefold cover.2xCD set in hardback book style packaging complete with 34-page booklet.

Recorded at Trident Studio, London.
Originally released in 1972.
Digitally remastered at Abbey Road Studios, London, March 2002.

Originally ℗ 1972 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
Digital remaster ℗ 2002 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to EMI Records Ltd.
℗ 2002 The copyright in this compilation owned by EMI Records Ltd.
© 2002 Jones/Tintoretto Entertainment Co., LLC
© 2002 EMI Records Ltd.

Printed in the EU
Made in E.U.First UK issue. Includes printed lyric inner.
Identifying features include Titanic Music publishing credit and no Mainman logo on the back of the sleeve.
Later issues have a Mainman publishing credit instead of Titanic and include a Mainman logo on the rear of the sleeve.
First and second Category on cover and label, third on inner sleeve.

[Label]
A1 to A4, B1 to B6 - Titanic Music/Chrysalis Music
A5 - Rondor Music
A Gem Production
Ⓟ 1972 RCA Records
Manufactured by RCA Limited, England

[Cover]
ⓒ 1972 RCA Limited
Printed in England by Robert Stace
RCA Limited, Record Division, RCA House, Curzon Street, London W1

[Inner sleeve]
All songs ⓒ copyright 1971, 1972 by Titanic Music Limited/Chrysalis Music Limited.2nd New Zealand Press - mid 1970s (c.1974) - Non-flapback cover

Printed by Goldfields Print Ltd., Paeroa (on rear sleeve)

Manufactured by Radio Corporation Of New Zealand Ltd. (on rear sleeve)

Manufactured by Pye Record Manufacturing Division (on label perimeter)

Normal Sleeve.Originally released in 1972.

On labels:
A GEM PRODUCTION
(P)1972 RCA Corporation
Made in Germany. Fabriqué en Allemagne

On back cover:
Sleeve (C)1983 RCA Limited
Printed in W. Germany imprimé en Allemagne
To be played at maximum volume.

The noted track times are taken from the backsleeve but:
Track time on back sleeve for A4 Starman 4:10 -> on label 4:13
Track time on back sleeve for B1 Lady Stardust 3:22 -> on label 3:18

Publisher details:
A1 to B4: Tantric Music Inc. BMI
B5: Irving Music Inc. BMI

Barcodes

  • Barcode: 0035628384317
  • Label Code: LC 0316
  • Rights Society (Boxed): GEMA BIEM
  • Price Code (D:): SF
  • Price Code (F:): RC 330
  • Price Code (UK:): YY
  • Matrix / Runout (Side A runout variant 1): E-0013 A-2/83S I
  • Matrix / Runout (Side B runout variant 1): E-0013 B-1 CL 13843 RCA APRS 6615/1 020
  • Matrix / Runout (Side A runout stamped variant 2): A̶P̶R̶S̶-̶6̶8̶1̶4̶/̶1̶ RCA Made in Germany
  • Matrix / Runout (Side B runout stamped variant 2): A̶P̶R̶S̶-̶6̶8̶1̶5̶/̶1̶ RCA Made in Germany
  • Matrix / Runout (Side A runout etched variant 2): 020 E-0013 A-1 CL 13843 S-II
  • Matrix / Runout (Side B runout etched variant 2): CL 13 843 020 E-0013 B-1 S-II
  • Matrix / Runout (Side A runout stamped variant 3): DM E-0013 A-3/83S I
  • Matrix / Runout (Side B runout stamped variant 3): DM E-0013 B-4/83 S I
  • Pressing Plant ID (Embossed on side B label): Bass clef
  • Matrix / Runout (Side 1 Label): APRS 6814
  • Matrix / Runout (Side 2 Label): APRS 6815
  • Barcode (Printed - sticker): 0 825646 287376
  • Barcode (Scanned - sticker): 825646287376
  • Label Code: LC30419
  • Rights Society: GEMA/MCPS
  • Other (On inlay): DBXL1-4
  • Matrix / Runout (Side A runout, etched, variant 1): DBZSLP 40 207 734 8719 BC71696-01 A₁
  • Matrix / Runout (Side B runout, etched, variant 1): DBZSLP 40 2077348719 BC71696-01 B₃
  • Matrix / Runout (Side A runout, etched, variant 2): DBZSLP 40 207 734 8719 V1z BC71696-01 A₁
  • Matrix / Runout (Side B runout, etched, variant 2): DBZSLP 40 2077348719 BC71696-01 B₃
  • Barcode: 5 099946 361325
  • Label Code: LC 0316
  • Rights Society: GEMA
  • Matrix / Runout (A-side, variation 1): BGBS 0864 - 1E
  • Matrix / Runout (B-side, variation 1): BGBS 0865 - 1E
  • Matrix / Runout (A-side, variation 2): BGBS 0864 - 1E
  • Matrix / Runout (B-side, variation 2): BGBS 0865 - 2E
  • Matrix / Runout (A-side, variation 3): BGBS 0864 - 2E
  • Matrix / Runout (B-side, variation 3): BGBS 0865 - 2E
  • Matrix / Runout (A side label): BGBS 0864
  • Matrix / Runout (B side label): BGBS 0865
  • Barcode (Printed): 7 24353 98262 1
  • Barcode (Scanned): 724353982621
  • Matrix / Runout (CD1 ; Variants 1 & 3): EMI UDEN 5398272 @ 1 1-1-6-NL
  • Matrix / Runout (CD1 ; Variant 2 & 5): EMI UDEN 5398272 @ 1 1-1-4-NL
  • Matrix / Runout (CD1 ; Variant 4): EMI UDEN 5398272 @ 2 2-1-9-NL
  • Matrix / Runout (CD2 ; Variant 1): EMI UDEN 5398282 @ 1 1-1-3-NL
  • Matrix / Runout (CD2 ; Variants 2 & 3): EMI UDEN 5398282 @ 1
  • Matrix / Runout (CD2 ; Variant 4): EMI UDEN 5398282 @ 1 1-1-12-NL
  • Matrix / Runout (CD2 ; Variant 5): EMI UDEN 5398282 @ 1 1-1-4-NL
  • Mastering SID Code (CD1 ; Variants 1, 2, 4 & 5): IFPI L047
  • Mastering SID Code (CD2 ; Variants 1 & 2): IFPI L045
  • Mastering SID Code (CD2 ; Variant 3): IFPI L045
  • Mould SID Code (CD2 ; Variant 4): IFPI L046
  • Mould SID Code (CD1 ; Variant 1): ifpi 15CC
  • Mould SID Code (CD1 ; Variant 2): ifpi 1508
  • Mould SID Code (CD1 ; Variant 3): ifpi 155A
  • Mould SID Code (CD1 ; Variant 4): ifpi 15BA
  • Mould SID Code (CD1 ; Variant 5): ifpi 1599
  • Mould SID Code (CD2 ; Variant 1): ifpi 15C4
  • Mould SID Code (CD2 ; Variant 2): ifpi 15EF
  • Mould SID Code (CD2 ; Variant 3): ifpi 15A5
  • Mould SID Code (CD2 ; Variant 4): ifpi 15BA
  • Mould SID Code (CD2 ; Variant 5): ifpi 15FB
  • Rights Society: Bel BIEM
  • Label Code: LC 0542
  • Other (CD1 ; Category): 7243 5 39827 2 0
  • Other (CD2 ; Category): 7243 5 39828 2 9
  • Other (UK Category): UK: 539 8262
  • Other (French Distribution Code): F: PM 617

Companies

  • Record Company – Warner Music Group
  • Phonographic Copyright (p) – Jones/Tintoretto Entertainment Co., LLC
  • Copyright (c) – Jones/Tintoretto Entertainment Co., LLC
  • Phonographic Copyright (p) – Parlophone Records Ltd.
  • Copyright (c) – Parlophone Records Ltd.
  • Licensed To – Parlophone Records Ltd.
  • Produced For – GEM Productions
  • Published By – Tintoretto Music
  • Published By – RZO Music, Inc.
  • Published By – Screen Gems-EMI Music Inc.
  • Published By – EMI Music Publishing Ltd.
  • Published By – Chrysalis Songs
  • Published By – RZO Music Ltd.
  • Published By – Chrysalis Music Ltd.
  • Published By – Irving Music, Inc.
  • Published By – Rondor Music Ltd.
  • Produced At – Trident Studios
  • Remastered At – Air Mastering
  • Pressed By – Optimal Media GmbH – BC71696
  • Published By – Chrysalis Music
  • Published By – Titanic Music
  • Published By – Rondor Music
  • Phonographic Copyright (p) – RCA Records
  • Phonographic Copyright (p) – Jones/Tintoretto Entertainment Co., LLC
  • Copyright (c) – Jones/Tintoretto Entertainment Co., LLC
  • Licensed To – EMI Records Ltd.
  • Phonographic Copyright (p) – EMI Records Ltd.
  • Copyright (c) – EMI Records Ltd.
  • Marketed By – EMI
  • Distributed By – EMI
  • Pressed By – EMI Uden
  • Published By – Tintoretto Music
  • Published By – RZO Music, Inc.
  • Published By – RZO Music Ltd.
  • Published By – Screen Gems-EMI Music Inc.
  • Published By – EMI Music Publishing Ltd.
  • Published By – Chrysalis Songs
  • Published By – Chrysalis Music Ltd.
  • Published By – Irving Music, Inc.
  • Published By – Rondor Music Ltd.
  • Published By – Jones Music America
  • Published By – ARZO Publishing
  • Published By – Colgems-EMI Music Inc.
  • Published By – Chrysalis Music
  • Published By – Sabam S.C.
  • Published By – Unichappell Music, Inc.
  • Published By – Pouchenel Éditions Musicale So
  • Published By – Carlin Music Corp.
  • Published By – Isalee Music
  • Published By – Arc Music Corp.
  • Recorded At – Trident Studios
  • Remastered At – Abbey Road Studios
  • Glass Mastered At – EMI Uden
  • Recorded At – Trident Studios
  • Printed By – Goldfields Print Ltd.
  • Distributed By – Radio Corporation Of New Zealand Ltd.
  • Manufactured By – Radio Corporation Of New Zealand Ltd.
  • Manufactured By – Pye Record Manufacturing Division
  • Manufactured By – EMI Music Canada
  • Distributed By – EMI Music Canada
  • Manufactured By – RCA Ltd.
  • Phonographic Copyright (p) – RCA Records
  • Copyright (c) – RCA Ltd.
  • Copyright (c) – Titanic Music Ltd.
  • Copyright (c) – Chrysalis Music Ltd.
  • Printed By – Robert Stace
  • Published By – Titanic Music
  • Published By – Chrysalis Music
  • Published By – Rondor Music
  • Produced At – Trident Studios
  • Designed At – Main Artery Studio
  • Phonographic Copyright (p) – RCA Records
  • Manufactured By – RCA Schallplatten GmbH
  • Produced At – Trident Studios
  • Produced At – Trident Studios
  • Pressed By – Sonopress – E-0013
  • Phonographic Copyright (p) – RCA Ltd.
  • Copyright (c) – RCA Corporation
  • Marketed By – RCA Records
  • Published By – Tantric Music
  • Published By – Irving Music, Inc.
  • Distributed By – RCA S.A.
  • Distributed By – RCA Schallplatten GmbH
  • Distributed By – RCA S.P.A.
  • Distributed By – RCA B.V.
  • Distributed By – RCA Ltd.
  • Distributed By – RCA S.A.

Video

Info

First UK issue. Am G5 F5 G5 Am So where were the spiders, Am G5 F5 G5 Am While the fly tried to break our balls Am G5 F5 Just the beer light to guide us, F5 G5 D Dsus2 so we bitched about his fans D E and should we crush his sweet hands. Ziggy really sang, screwed up eyes and screwed down hairdo, B C D like some cat from Japan. This album was also selected by the Library of Congress, for preservation in the National Recording Registry, in 2017. But what we love even more than the platform boots and silver lamé are the thrilling songs that drive this record, from the guitar-heavy rockers Suffragette City and Moonage Daydream, through the soulful ballads Starman and Lady Stardust to the unapologetically theatrical c. David Bowie has pulled off his complex task with consummate style, with some great rock & roll the Spiders are Mick Ronson on guitar and piano, Mick Woodmansey on drums and Trevor Bolder on bass theyre good, with all the wit and passion required to give it sufficient dimension and with a deep sense of humanity that regularly emerges from behind. A tale of intragroup jealousies, it features some of Bowies more adventuresome imagery, some of which is really the nazz: So we bitched about his fans and should we crush his sweet hands . Ziggy stardust. Look for lines that break. David Bowie - Ziggy Stardust. Шикарный альбом. He could lick 'em by smiling, he could leave them to hang. Узнавайте о релизах, читайте рецензии, изучайте композиция дорожка трек-листы, рекомендации и прочую информацию о David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars на album title comes from the BrechtWeill opera Aufstieg und Fall der Stadt Mahagonny The Rise and Fall of the City of Mahagonny, first performed in 1930 but banned by the Nazis three years later. Starman, Ziggy Stardust и Suffragette City. это как у deepa-72-уslade-76-уgeordie-74-уsweet-74--бесподобно. The album was recorded at Trident Studios, London, 9 July 1971 - 4 February 1972 using material from the sessions for the previous album 'Hunky Dory' 'It Ain't Easy', July 9, 1971, all other tracks being recorded between November 8, 1971 and February 4, 1972. The documentary was filmed at the same concert in 1973, where Bowie decided to retire the Ziggy Stardust persona. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. It was produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Узнавайте о релизах, читайте рецензии, изучайте композиция дорожка трек-листы, рекомендации и прочую информацию о David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars на Bowie - Ziggy Stardust. A Became the special man, C Then we were Ziggy's band. David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars 1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars - David Bowie. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. Fav tracks: five years, soul love, moonage daydream, starman, lady stardust, star, ziggy stardust, suffragette city, rock & roll heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. G He played it left hand, G Em But made it too far. The album title comes from the BrechtWeill opera Aufstieg und Fall der Stadt Mahagonny The Rise and Fall of the City of Mahagonny, first performed in 1930 but banned by the Nazis three years later. David bowie. A Became the special man, C Then we were Ziggy's band. not continuous. artmet23. Includes printed lyric inner. Backing vocals on It Aint Easy, the albums one non-original, were supplied by the statuesque Dana Gillespie. Юрий Юрий. Ziggy Stardust has a faint ring of The Man Who Sold the World to it - stately, measured, fuzzily electric. Most of the. Ronson also doubled on keyboards. The album was recorded at Trident Studios in London like his previous album Hunky Dory. His new glam image made him a global superstar and remains an iconic rock fashion touchstone. The London production at Sadlers Wells Opera in January 1963 was conducted by Colin Davis. The Spiders From Mars included guitarist Mick Ronson, who plays with a maverick flair on Suffragette City, Moonage Daydream, and Hang Onto Yourself, Trevor Bolder on bass, Mick Woody Woodmansey on drums. Front cover of this issue has derived from US artwork, and the RCA Victor logo and US catalogue number have been pasted over. He could lick 'em by smiling, he could leave them to hang. It was produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. It is possible to discern a large rectangular cover over, on which the UK details are placed on top of. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Узнавайте о релизах, читайте рецензии, изучайте композиция дорожка трек-листы, рекомендации и прочую информацию о David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars на heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. G Now Ziggy played guitar, Bm C Jamming good with Weird and Gilly, B C D And the Spiders from Mars. Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The Rise and Fall of Ziggy Stardust and the Spiders from Mars Q&A. The Rise and Fall of Ziggy Stardust and the Spiders from Mars often shortened to Ziggy Stardust is the fifth studio album by English singer-songwriter David Bowie, released on 16 June 1972 in the United Kingdom by RCA Records. Closing out classics week with an amazing album

Download David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars FLAC

Performer: David Bowie

Title: The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

Country: Germany

Label: RCA Victor , RCA Victor

Style: Classic Rock, Glam

Catalog: LSP 4702, 26.21089 AO

Genre: Rock

Size MP3: 1358 mb

Size FLAC: 2637 mb

Rating: 4.8 / 5

Votes: 344

Record source: Vinyl, LP, Album, Unofficial Release, Gatefold Sleeve

FLAC Music Related to David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

Hanad
My copy unfortunately has that skipping problem on Star. Does having a better setup helps with that issue?
Hanad
My copy unfortunately has that skipping problem on Star. Does having a better setup helps with that issue?
Fenius
Just got this pressing and just listened to it for the first time. I have never heard this album sounding so good! And I’ve heard quite a few pressings. Simply stunning!
Fenius
Just got this pressing and just listened to it for the first time. I have never heard this album sounding so good! And I’ve heard quite a few pressings. Simply stunning!
Thordigda
Echoing some of the comments here - this sounds fantastic. Good to know what you get with the Bowie represses.
Thordigda
Echoing some of the comments here - this sounds fantastic. Good to know what you get with the Bowie represses.
Ohatollia
Phenomenal sound.I owned 12 different releases of this album and this is one of the best.This one and the original UK pressing are my favourites.
Ohatollia
Phenomenal sound.I owned 12 different releases of this album and this is one of the best.This one and the original UK pressing are my favourites.
VariesWent
Great sounding no surface noise at all and Bowies second best album after Hunky Dory.
VariesWent
Great sounding no surface noise at all and Bowies second best album after Hunky Dory.
Maridor
Sounds great! The dynamic range is amazing, fluctuating between quieter parts and really loud ones.
Maridor
Sounds great! The dynamic range is amazing, fluctuating between quieter parts and really loud ones.
Kitaxe
Great pressing, no surface noise at all on mine, quite nice dynamics in all songs. Glad to have such a good remaster.
Kitaxe
Great pressing, no surface noise at all on mine, quite nice dynamics in all songs. Glad to have such a good remaster.
Llathidan
Nothing bad to say really, sounds great and it's a no brainer for it's price!
Llathidan
Nothing bad to say really, sounds great and it's a no brainer for it's price!
lolike
No issues with mine. Great pressing, great price. Iconic album.
lolike
No issues with mine. Great pressing, great price. Iconic album.
Delagamand
10/10. Sounds way better than my Canadian original. Top Analog Reissue. Extremely queit pressing by Optimal. AAA sound. Pick this up while they are still cheap.
Delagamand
10/10. Sounds way better than my Canadian original. Top Analog Reissue. Extremely queit pressing by Optimal. AAA sound. Pick this up while they are still cheap.
Fohuginn
I am sad to report that yet again the defect on Star is still on the record. Parlophone are an absolute disgrace. I have lost count how many I have sent back.
Fohuginn
I am sad to report that yet again the defect on Star is still on the record. Parlophone are an absolute disgrace. I have lost count how many I have sent back.
Thetalas
UPDATE: Cleaned record a second time on the Okki Nokki, and then continued to play through "Star" about 5 times while very lightly dusting with Audioquest carbon fiber brush and POOF! All skips gone. Maybe give it a shot? Otherwise, this record sounds great throughout.
Thetalas
UPDATE: Cleaned record a second time on the Okki Nokki, and then continued to play through "Star" about 5 times while very lightly dusting with Audioquest carbon fiber brush and POOF! All skips gone. Maybe give it a shot? Otherwise, this record sounds great throughout.
Punind
Just opened my sealed copy and I have the same defect on Star as you. Don't know if it matters but I'm playing on a VPI Scout which has never been adjusted in any way beyond factory settings. I see you've sent multiple copies "back". Do you happen to have a link or address where I can do the same. I'm really losing faith in new vinyl.
Punind
Just opened my sealed copy and I have the same defect on Star as you. Don't know if it matters but I'm playing on a VPI Scout which has never been adjusted in any way beyond factory settings. I see you've sent multiple copies "back". Do you happen to have a link or address where I can do the same. I'm really losing faith in new vinyl.
Undeyn
Many thanks. I will check out the advice and give it a try.
Undeyn
Many thanks. I will check out the advice and give it a try.
JoldGold
In my case it is a "click" just as the fade-in of "Five Years" starts. Yes it had to be right at the start of the record, and in a quiet part too. I can actually see a tiny "flaw" in the vinyl with a magnifying glass. I use a brand new Fluance RT-81 table with a Linn K5 cartridge and stylus properly set up and calibrated. I played it twice and then decided I couldn't live with it, and ordered another copy, this time the DBZSLP 40 version, with the DVD-A. So far I haven't heard any problems (I'm actually listening to Star as I'm typing this). But overall my new copy version seems quieter than this one, less bassy as well.
JoldGold
In my case it is a "click" just as the fade-in of "Five Years" starts. Yes it had to be right at the start of the record, and in a quiet part too. I can actually see a tiny "flaw" in the vinyl with a magnifying glass. I use a brand new Fluance RT-81 table with a Linn K5 cartridge and stylus properly set up and calibrated. I played it twice and then decided I couldn't live with it, and ordered another copy, this time the DBZSLP 40 version, with the DVD-A. So far I haven't heard any problems (I'm actually listening to Star as I'm typing this). But overall my new copy version seems quieter than this one, less bassy as well.
Jube
Here is a discogs forum helping people with skipping problems on brand new records. I hope it helps.https://www.discogs.com/forum/thread/731329Also FYI see the general explanation below for why this would be a problem with your set up (but also due to the 'hot' master of this record):This record is cut very "hot". In other words it is very dynamic. The large changes in amplitude cause your needle to jump at specific points in the record, which is why other people also have problems on Starman. Historically, other great and sought after pressings have had similar problems. Robert Ludwigs infamous "hot cut" of Led Zeppelin 2 is considered the most desirable by many collectors because it is very dynamic. Copies go for thousands of dollars. Unfortunately, the record had to be remastered because people with budget turntables were experiencing skipping problems."Amhet Ertegun at Atlantic heard the album (which Eddie demanded be as hot as possible) and apparently it skipped on his daughters little turntable. Instead of calling us at Sterling and asking us to lower the level a little and telling us where it skipped, they had the disk cutters at Atlantic use my EQ'd cassette file copy and they cut it WAY lower than my original cut plus, in my opinion, it sounded dull and generally not very good sounding in comparison."https://forums.stevehoffman.tv/threads/robert-ludwig-offers-feedback-on-1969-us-led-zeppelin-ii-rl-cut.574016/I also see this issue with other great reissues. The talking heads record "speaking in tongues" by rhino is also very hot cut and sounds great, but may reviewers on amazon complain of skips on "burning down the house". I have none of these issues on my set up. Some commentators on Hoffman forums mentioned upgrading their set up, which fixed the problem.TLDR:The record is mastered amazingly well, and is great if you have a high quality set up. People with budget turntables such as Crosleys or Victorolas will have issues (or people with improperly adjusted tone arms). Upgrade /adjust your turntable and you will no longer have skipping issues.
Jube
Here is a discogs forum helping people with skipping problems on brand new records. I hope it helps.https://www.discogs.com/forum/thread/731329Also FYI see the general explanation below for why this would be a problem with your set up (but also due to the 'hot' master of this record):This record is cut very "hot". In other words it is very dynamic. The large changes in amplitude cause your needle to jump at specific points in the record, which is why other people also have problems on Starman. Historically, other great and sought after pressings have had similar problems. Robert Ludwigs infamous "hot cut" of Led Zeppelin 2 is considered the most desirable by many collectors because it is very dynamic. Copies go for thousands of dollars. Unfortunately, the record had to be remastered because people with budget turntables were experiencing skipping problems."Amhet Ertegun at Atlantic heard the album (which Eddie demanded be as hot as possible) and apparently it skipped on his daughters little turntable. Instead of calling us at Sterling and asking us to lower the level a little and telling us where it skipped, they had the disk cutters at Atlantic use my EQ'd cassette file copy and they cut it WAY lower than my original cut plus, in my opinion, it sounded dull and generally not very good sounding in comparison."https://forums.stevehoffman.tv/threads/robert-ludwig-offers-feedback-on-1969-us-led-zeppelin-ii-rl-cut.574016/I also see this issue with other great reissues. The talking heads record "speaking in tongues" by rhino is also very hot cut and sounds great, but may reviewers on amazon complain of skips on "burning down the house". I have none of these issues on my set up. Some commentators on Hoffman forums mentioned upgrading their set up, which fixed the problem.TLDR:The record is mastered amazingly well, and is great if you have a high quality set up. People with budget turntables such as Crosleys or Victorolas will have issues (or people with improperly adjusted tone arms). Upgrade /adjust your turntable and you will no longer have skipping issues.
Insanity
Its the exact same error as many others have had and I have had it on at least a dozen copies. I suspect it is coming down to what set up each of us use but it certainly is not our set up that is at fault. If it were a set up problem its impossible that we would all be picking up the same jumps in the same place on Star.
Insanity
Its the exact same error as many others have had and I have had it on at least a dozen copies. I suspect it is coming down to what set up each of us use but it certainly is not our set up that is at fault. If it were a set up problem its impossible that we would all be picking up the same jumps in the same place on Star.
Akelevar
What kind of record player do you have? My copy sounds amazing, with no defects. Playing it on a Rega RP1. The problem most likely has to do with your set up. Either your tone arm isn't set up properly, or you need to upgrade your set up.
Akelevar
What kind of record player do you have? My copy sounds amazing, with no defects. Playing it on a Rega RP1. The problem most likely has to do with your set up. Either your tone arm isn't set up properly, or you need to upgrade your set up.
Anasius
One of my best albums in the collection. David Bowie is the musical Number One for me. Ever
Anasius
One of my best albums in the collection. David Bowie is the musical Number One for me. Ever
Bev
Solid pressing with great dynamics. No skips or surface noise to report.
Bev
Solid pressing with great dynamics. No skips or surface noise to report.
Quendant
Glad to report that the copy I purchased has no skips and hardly any surface noise. Good pressing for the buck.
Quendant
Glad to report that the copy I purchased has no skips and hardly any surface noise. Good pressing for the buck.
Mikarr
Sounds fantastic. Solid pressing. One small skip occurs during Star which is unfortunate. Otherwise, no complaints. Such a classic album. Rock n roll suicide is a masterpiece.
Mikarr
Sounds fantastic. Solid pressing. One small skip occurs during Star which is unfortunate. Otherwise, no complaints. Such a classic album. Rock n roll suicide is a masterpiece.
Landaron
Same here - sounds great! Classic album in a reissue that sounds good.
Landaron
Same here - sounds great! Classic album in a reissue that sounds good.
Whitebinder
Great sounding record overall. Love the feel of the album. No problems to report here!
Whitebinder
Great sounding record overall. Love the feel of the album. No problems to report here!
Zodama
Great album. No issues with my copy at all.
Zodama
Great album. No issues with my copy at all.
Venemarr
I'm on my 3rd copy of the new 180gm pressing. All 3 have been skipping in the same spot on Star. Returning the lastest one back to the store now. I give up. I'll have to replace it with a different record. I just thought I'd google the problem, and found this forum. Disappointed, by glad to know it's not a problem with my turntable.
Venemarr
I'm on my 3rd copy of the new 180gm pressing. All 3 have been skipping in the same spot on Star. Returning the lastest one back to the store now. I give up. I'll have to replace it with a different record. I just thought I'd google the problem, and found this forum. Disappointed, by glad to know it's not a problem with my turntable.
Dusho
I had the same issue with "Star" on my previous turntable. After upgrading to an RP1/Carbon, it didn't skip anymore. It definitely is a fault in the pressing, but you may never know depending on the player/cartridge you own.
Dusho
I had the same issue with "Star" on my previous turntable. After upgrading to an RP1/Carbon, it didn't skip anymore. It definitely is a fault in the pressing, but you may never know depending on the player/cartridge you own.
Kahavor
Multiple skips through star here as well. Got to the point where I yelled REALLY!!! Skipped at least 10 times. Luckily that’s my least favorite song on the album, but still.... also had a small skip on the first chorus of hang on to yourself. Other than that it sounds fantastic
Kahavor
Multiple skips through star here as well. Got to the point where I yelled REALLY!!! Skipped at least 10 times. Luckily that’s my least favorite song on the album, but still.... also had a small skip on the first chorus of hang on to yourself. Other than that it sounds fantastic
Flash_back
I just got the 180g vinyl for Christmas, and it skipped all over the place on "Star". I took it back and ordered a new copy that I just got today. Exact same problem: skips all through "Star", at least 5 or 6 times. Something wrong with that pressing I guess.
Flash_back
I just got the 180g vinyl for Christmas, and it skipped all over the place on "Star". I took it back and ordered a new copy that I just got today. Exact same problem: skips all through "Star", at least 5 or 6 times. Something wrong with that pressing I guess.
Zan
They are the same pressing but it is not in all copies. Glad you got a decent one :)
Zan
They are the same pressing but it is not in all copies. Glad you got a decent one :)
Just_paw
I don't have any issues whatsoever on the one from the boxset. I was pretty sure it was the same pressing, I guess not then. :/
Just_paw
I don't have any issues whatsoever on the one from the boxset. I was pretty sure it was the same pressing, I guess not then. :/
Scream_I LOVE YOU
This has been going on since the start sadly. I have had multiple copies all with the same problem as yours.
Scream_I LOVE YOU
This has been going on since the start sadly. I have had multiple copies all with the same problem as yours.
hardy
This was the first album of the Parlophone reissues of David Bowie's back catalog that I picked up. It wouldn't be my last. Impressive on all fronts down to the artwork reproduction, quality pressing, and the full sounding mix. I immediately went searching for more to add to my collection. Currently, I have six of these reissues and haven't been disappointed yet. Can't wait for the reissues of Low and Heroes. Highly recommended.
hardy
This was the first album of the Parlophone reissues of David Bowie's back catalog that I picked up. It wouldn't be my last. Impressive on all fronts down to the artwork reproduction, quality pressing, and the full sounding mix. I immediately went searching for more to add to my collection. Currently, I have six of these reissues and haven't been disappointed yet. Can't wait for the reissues of Low and Heroes. Highly recommended.
blac wolf
It says 2012 digital remaster. I think the notes are incorrect that this is remastered from analog. Sounds great though, and no skipping as some have found.
blac wolf
It says 2012 digital remaster. I think the notes are incorrect that this is remastered from analog. Sounds great though, and no skipping as some have found.
breakingthesystem
When the artwork is used for a lot of albums to create the LP version, they sometimes use the digital version...it’s happened on many occasions. Rest assured, this version uses the same plates as the 2012 AAA release.
breakingthesystem
When the artwork is used for a lot of albums to create the LP version, they sometimes use the digital version...it’s happened on many occasions. Rest assured, this version uses the same plates as the 2012 AAA release.
BOND
my copy only skips once on star so i guess i'm lucky.
BOND
my copy only skips once on star so i guess i'm lucky.
Whitesmasher
Wow this reissue is apparently cursed. Just cracked the seal on mine and it starts skipping on track 1 of side 2. After some anti skate adjustments, got through track 1 with no skips but Star...forget it. No adjustments will fix the skips in that song. Argggh.
Whitesmasher
Wow this reissue is apparently cursed. Just cracked the seal on mine and it starts skipping on track 1 of side 2. After some anti skate adjustments, got through track 1 with no skips but Star...forget it. No adjustments will fix the skips in that song. Argggh.
Steelraven
I though that maybe it was something wrong with my tone arm, but I can see from the other comments that skipping is a common issue with this version. I have the limited Gold pressing. They also made a mistake with the coloring when they pressed the vinyl. The disc itself is smooth and flat, but the gold material is all wrinkled and bunched up. Makes the disc look odd.
Steelraven
I though that maybe it was something wrong with my tone arm, but I can see from the other comments that skipping is a common issue with this version. I have the limited Gold pressing. They also made a mistake with the coloring when they pressed the vinyl. The disc itself is smooth and flat, but the gold material is all wrinkled and bunched up. Makes the disc look odd.
Ť.ħ.ê_Ĉ.õ.о.Ł
Just listened through my copy, no skips, pops, or surface noise of any kind. Maybe I got lucky, but my copy sounds great.
Ť.ħ.ê_Ĉ.õ.о.Ł
Just listened through my copy, no skips, pops, or surface noise of any kind. Maybe I got lucky, but my copy sounds great.
Super P
B-side didn´t play well, changed for new one and same problem. Going to return it also and buy a different version.
Super P
B-side didn´t play well, changed for new one and same problem. Going to return it also and buy a different version.
Binar
No problem with my copy. Everything is crystal clear and crispy sounding.
Binar
No problem with my copy. Everything is crystal clear and crispy sounding.
superstar
This sounds great. I had no issues with skipping or noise on side 2 as some others seem to have.
superstar
This sounds great. I had no issues with skipping or noise on side 2 as some others seem to have.